Experimenting with space: sculptures and stencils created by NeSpoon, who describes her work as »jewelry of the public space«.
Abandoned factory outside of Torino, Italy
Participation in the exhibition »Art Kitchen Foundation«, Franciacorta, Italy
Participation in the exhibition »Sub Urb Art 2«, Torino, Italy
Dan Deacon macht aus Salat Einheitsbrei in Gold, ein Blätterwald, sortiert in warmen Tönen. Eigentlich nicht machbar.
This great invention will certainly never change the world, but will find its place in the world of machines: »The Facadeprinter is a simple software controlled robot. It consists of a turn table with two axes and an air-pressure print head. The printer shoots the artwork from a distance dot by dot onto the chosen area. Using this method, inaccessible and uneven surfaces can be used for large scale prints. Artworks can be printed on buildings without costly scaffolding. The Facadeprinter is also a communication-tool. Even the application of the artwork is part of the message; straight and direct. A work of art is converted to a vector or pixel file and shot dot by dot onto the facade. The viewer watches the emerging artwork like the drawing of a magic pen.«
Shopping trolleys have become somehow part of the visual memory of art history. The newest trolley-based work comes from artist collective on/off. The device itself is constructed from a modified trolley filled with car batteries, a projector and computer held in place with cable ties. Read more about the practical use at designboom
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Kaufst du noch oder druckst du schon? Noch geht unsere Vorstellung nicht soweit, dass wir ahnen können, was uns 3D-Drucker zukünftig ermöglichen werden. Womöglich könnten sie die Weltmärkte verändern, sie gar revolutionieren. Die Digitalisierung, die der Film- und Musikindustrie das Fürchten gelehrt hat, weitet sich auf die gegenständliche Welt aus. Kleider, skulpturale Kunst, das Brillengestell – alles, was denkbar ist, ist machbar, und alles was machbar ist, passiert. Den mentalen Einstieg in die neue Volksdroge bekommt ihr hier: »Das kleine Schwarze aus dem 3D-Drucker«. Jetzt nur noch ein paar Jahre warten, bis die Technologie den Konsumer-Markt erreicht.
Flaming Tunes was originally released on cassette in 1985, now they have their first ever vinyl release. A rush of curious soundscapes.
Still one of my favourite oochy woochy horror illustrators: Kristian Hammerstad. Enjoy his work.
»Kindergarten Obesity«, for The Las Vegas Weekly.
Copyright 2012 Kristian Hammerstad. All rights reserved.
