Lace Fence
»Lace Fence shows how something which was meant purely functional can also be decorative. Hostility versus kindness, industry versus craft.« How true!
»Lace Fence shows how something which was meant purely functional can also be decorative. Hostility versus kindness, industry versus craft.« How true!
The new Machtdose Compilation is out: Superfly. Follow these simple steps to get catchy: Go to the online music store of your choice, download the following tracks, sort them properly in your player (and you won’t regret it). The flow of that Mix is very atmospheric and delectable!
1. Chad Valley – Fast Challenges (Loose Lips)
2. Metronomy – The Look (Because Music)
3. Washed Out – Before (Weird World/Sub Pop)
4. M83 – OK Pal (Naïve)
5. Cut Copy – Hanging Onto Every Heartbeat
6. Ada – On The Mend (Pampa)
7. The Field – Then It’s White (Kompakt)
8. John Maus – Hey Moon (Upset! The Rhythm)
9. Cant – Believe (Warp)
10. Washed Out – Amor Fati (Weird World/Sub Pop)
11. Antonian – The Desert Pt. II (Discograph)
12. Tune-Yards – My Country (4AD)
Video surveillance remains one of the most expanding fields in public space. Especially at demonstrations everyone monitors each and every step. Newly also from the bird’s-eye view: Videodrohnen für Demonstranten. In spite of that, the question remains open: who is filming whom? The RoboKopter footage probably defines the future of protest documentation. Soon in HD.
(via De:Bug)
Animal Tower, intervention in public space, Anyang, South Korea.

Construction of iron and glass, rabbits, hens, turtles, fishes. 320x150x150 cm
Very nice video gallery of cinematic villainy, inspired by nefarious icons and featuring the best performers from the year in film like Brad Pitt as the Madman, Rooney Mara as the Sociopath, Gary Oldman as the Menacing Dummy, Kirsten Dunst as the Siren, George Clooney as the Tyrant and some more. The picture gallery Vamps, Crooks and Killers shows them all. Or read the whole article in the New York Times: Our Own Worst Enemies.
The daily life of poor looking low-tec robots living somewhere in Nowhereland. Photographed by David Emmite.
(via)