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Gregor

Inhuman Anatomy

What does a disney figure look like under the skin? Italy based artist Alessandro Conti has found the right answer. Check out Conti’s gallery with more very astute observations.

Popular-Disney-Character-Anatomy-by-Alessandro-Conti-3

Popular-Disney-Character-Anatomy-by-Alessandro-Conti-4

Private Moon

What is fantastic about the moon is that it always gets around a lot. His personal travelling companion Leonid Tishkov is probably the perfect travel mate, as you can see. »Private Moon« is a series of stylized and sentimental photographs of both with a large illuminated crescent moon taken at various locations around the world. Fitting to this setting: J’ai demandé à la lune by Indochine.

Leonid Tishkov - Private Moon1
Private Moon in the Arctic

Leonid Tishkov - Private Moon2
Private Moon in Berlin

Leonid Tishkov - Private Moon3
Private Moon in Italy

Leonid Tishkov - Private Moon4
At the straw store. Cishan

Homage To The Lost Spaces

Mike Hewson’s public installation series Homage To The Lost Spaces on buildings that are listed for imminent demolition is a wonderful example for re-urbanizing cultural spaces. The rest of the world should be imitating this!

»Tony De In The Door« (Government Life Building Studio Series), 2012, Varied (up to 5.0 x 2.4m), Mixed media on plywood (on earthquake damaged building)
»Tony De In The Door« (Government Life Building Studio Series), 2012, Varied (up to 5.0 x 2.4m), Mixed media on plywood (on earthquake damaged building)
»Homage To The Lost Spaces« (Government Life Building Studio Series), 2012, 10.4 x 15.5 m, Mixed media on plywood (on building listed for imminent demolition)
»Homage To The Lost Spaces« (Government Life Building Studio Series), 2012, 10.4 x 15.5 m, Mixed media on plywood (on building listed for imminent demolition)
»Homage To The Lost Spaces« (Government Life Building Studio Series), 2012, Varied (up to 5.0 x 2.4m) - prior to install of work on upper section of building, Mixed media on plywood (on building listed for imminent demolition)
»Homage To The Lost Spaces« (Government Life Building Studio Series), 2012, Varied (up to 5.0 x 2.4m) – prior to install of work on upper section of building, Mixed media on plywood (on building listed for imminent demolition)
»Homage To The Lost Spaces« (Government Life Building Studio Series), 2012, Varied (up to 5.0 x 2.4m), Mixed media on plywood (on building listed for imminent demolition)
»Homage To The Lost Spaces« (Government Life Building Studio Series), 2012, Varied (up to 5.0 x 2.4m), Mixed media on plywood (on building listed for imminent demolition)

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A Period of Juvenile Prosperity

At the age of 17, Mike Brodie hopped his first train close to his home in Pensacola thinking he would visit a friend in Mobile, Alabama. Instead the train went in the opposite direction to Jacksonville, Florida. Shortly after, Brodie found a Polaroid camera stuffed behind a carseat. With no training in photography and coke-bottle glasses, the instant camera was an opening for Brodie to document his experiences. When the Polaroid film he used was discontinued, Brodie switched to 35mm film and a sturdy 1980s camera. He spent years crisscrossing the U.S. amassing a collection, now appreciated as an impressive archive of American travel photography. His amazing images of hitchhikers and train hoppers are published in the book A Period of Juvenile Prosperity.

Mike Brodie: »A Period of Juvenile Prosperity«

Mike Brodie: »A Period of Juvenile Prosperity«

Mike Brodie: »A Period of Juvenile Prosperity«

Mike Brodie: »A Period of Juvenile Prosperity«

Mike Brodie: »A Period of Juvenile Prosperity«