The Weight of Life

Urban Interventions by Tony Spyra

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The Weight of Life, Kraków, Poland, 2013

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Physalia, Ostend, Belgium, 2013

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Abandoned Shipwreck, Vienna, Austria, 2012

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Career, 425 x 101,65 x 118,75cm, 2014, Picture: Hannes Katherl

All images © Tony Spyra.

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Prison Landscapes

Alyse Endur’s book Prison Landscapes is a compilation of prison inmates presenting themselves in front of visiting room backdrops. »Such backdrops, often painted by talented inmates, are used within the prisons as portrait studios. As inmates and their visitors pose for photos in front of these idealized landscapes they pretend, for a brief moment, that they are someplace else. The photographs are given to these visitors as gifts to take home and remember the faces of their loved ones while they are incarcerated«, she writes.

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State Correctional Institution, Houtzdale, Pennsylvania

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Woodbourne Correctional Facility, Woodbourne, New York.

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Federal Correctional Institution II, Butner, North Carolina.

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Rush Hour

Rush Hour by Fernando Livschitz.

Rush Hour

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Podcast September 2014

Weiterlesen

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El Contraste Entre La Pobreza Y La Riqueza En El Mundo

The gap between the wealthy and the poor as evident as in these pictures can go without any further explanations. But keep in mind that these photos have not only been taken in so called third-world or threshold countries. El Contraste Entre La Pobreza Y La Riqueza En El Mundo

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Concierge

Karl Philips is a young Belgian artist for whom a mild kind of activism is inextricably linked to his work. With his performing art, he explores the distinctions between public and non-public, common- and underground, us and them. In 2010, he created a mobile »apartment« attached to a billboard. Concierge is a transparent foldable pop-up shelter for homeless people on the back of company’s product placement.

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Concierge, Homeless shelter, temporary installation, mixed media (5 x 6.50 x 3.70 m), 2010

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Panoramic Errors

Scary: panoramic photos gone terrifyingly wrong. 31 more snapshots can be found at Distractify.

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