Zum Inhalt springen

Kunst

Toon Bomb

Toronto-based artist Aiden Glenn transforms ordinary outdoor objects of his neighborhood into cute cartoon monsters. Well-placed teeths, tongues and googly eyes make it possible.

Toon Bombing

Toon Bombing

Toon Bombing

Toon Bombing

All images © Aiden Glynn.

Dwellings

The following photos are part of a series called European Communities by German-born photographer Immo Klink, which documents the dropout of people from all over the continent who have created fantastic individual dwellings.

European Communities - Dwellings

European Communities - Dwellings

European Communities - Dwellings

European Communities - Dwellings

European Communities - Dwellings

All images © Immo Klink.

Happy New Year

Happy New Year, Dear Readers! Thank you all for your support.

Laurene Boglio

Laurene Boglio

Laurene Boglio

All illustrations © Laurene Boglio. See more of her work on her website, or more animated gifs on her blog. Read more at Visual News.

Crustypunks

Image © by Steven Hirsch

Image © by Steven Hirsch

»We’re all poor, white trash squatters, scum fucks, losers, throwaway kids.«

If you are walking through New York’s East Village, you may find a group of street wanderers. These, photographer Steven Hirsch says, are the Crustypunks. He started a project several years ago to capture candid portraits, letting them tell their stories. Here is one of them:

»My father was an attempted cop killer, he was doing twenty years to life for shooting a police officer three times. He was serving five years in CCI corrections and my mother met him visiting my uncle who was an incarcerated Hell’s Angels. As my mom would tell you, she fucking fell in love with a felon. Got a petition with three thousand signatures on it and got my dad released in five years served, five years probation. He got out impregnated my mom. I was born two months premature and I was dying.

I got into punk rock music and squatting when I was thirteen years old. By fifteen I had been in jail, was kicked out of high school and I had a son on the way. In two thousand one, January third, my son Seth Alan Parker was born. At that moment I knew that I would never stick a needle in my arm or ride a train or ever do anything that would ever threaten me being there for him. I’ve traveled all over America, just not on trains. I’ve stayed in the dirtiest squat houses. I’ve cried over dead friends. I’ve cried over live friends. When I was eighteen years old we started a crew, it’s called the Dirty South Crew. We’re all family. We’re all poor, white trash squatters, scum fucks, losers, throwaway kids. Some of my friends died from overdoses. Some of them killed themselves. Some of my friends are still alive and wish they were dead. Sometimes I feel like I’m the only one left that’s still normal. I look around me and just see all this disease and drugs and just hopelessness.

I don’t see these racists, these capitals, these sexist, these homophobes, these class action you know yuppies tearing us apart. I really hope all these kids stop sticking needles in their arms and start putting ideas in their fucking heads cause they’re losing their souls and it’s breaking my heart.«

Turbine Shed

Closed to the public for more than one hundred years, Sydney’s Cockatoo Island is now a cultural landscape of national significance by virtue of its location, manipulated landform, collection of buildings, works and potential archaeological resources from a significant period of Australia’s history. The aim is to establish Cockatoo Island as one of Sydney’s premier cultural hubs, presenting exciting and innovative activities. One of the massive empty turbine sheds there is regularly used as a special art space. New Zealand artist Mike Hewson’s latest installation called Turbine Shed is on at one of these abandoned buildings, the largest and most visually dramatic interior space on the island. A digital print is suspended over a 17 meter long footprint of the hall and mirrors the obviously visual features of the space. Take a look at his previous exhibitions on his website.

17 m x 11 m x 13 m, digital print on semi-opaque vinyl, Cockatoo Island, Sydney, 2013

17 m x 11 m x 13 m, digital print on semi-opaque vinyl, Cockatoo Island, Sydney, 2013

Turbine Shed by Mike Hewson

Turbine Shed by Mike Hewson

Turbine Shed by Mike Hewson

All images © Mike Hewson.

Empire Drive-In

Part film screening, part art installation and part urban exploration – Empire Drive-In is possibly the world’s first no-drive drive-in movie theater. Artists Jeff Stark and Todd Chandler have created a fantastic cinematic experience using junked cars and salvaged materials. Here is a brief description from the project’s website: »Empire Drive-In is a full-scale theater made out of wrecked cars and a 40-foot screen constructed of salvaged wood. Audiences climb in and out of cars rescued from the junkyard to watch films projected on the big screen. Low-power radio transmits stereo audio directly to each car«. The project was first commissioned for the 2010 01SJ Biennial in San Jose, California and since then repeated at different locations.

Empire Drive-In

Empire Drive-In

Empire Drive-In

Empire Drive-In

Swimming Pool

Swimming Pools in Paris by Franck Bohbot. The great series captures the soul and beauty of empty public pools.

Pontoise I

Pontoise I

Vallerey II

Vallerey II

La Butte Aux Cailles II

La Butte Aux Cailles II

Piscine Château Landon I

Piscine Château Landon I

All images © Franck Bohbot.